{"id":464,"date":"2022-04-18T11:29:23","date_gmt":"2022-04-18T11:29:23","guid":{"rendered":"https:\/\/thisisliminal.com\/?page_id=464"},"modified":"2022-08-07T11:52:32","modified_gmt":"2022-08-07T11:52:32","slug":"the-changeling-2021","status":"publish","type":"page","link":"https:\/\/thisisliminal.com\/works\/the-changeling-2021\/","title":{"rendered":"The Changeling (2021)"},"content":{"rendered":"

[vc_row section_type=”fullwidth” padding_top_multiplier=”” padding_bottom_multiplier=”” columns_gap=”20″ tablet_sm_visibility=”hide” mobile_visibility=”hide” el_wrapper_class=”home-header-wrapper” section_id=”content”][vc_column vertical_content_position=”bottom” width=”1\/6″ css=”.vc_custom_1642830914524{padding-top: 6.5rem !important;}”]

\"theatre\" <\/div><\/div>[\/vc_column][vc_column vertical_content_position=”bottom” width=”5\/6″ css=”.vc_custom_1642830917572{border-right-width: 150px !important;padding-top: 6.5rem !important;padding-right: 0px !important;padding-left: 0px !important;border-right-color: #006029 !important;border-right-style: solid !important;}”]

The Changeling (2021)<\/span><\/h1>

In association with The National Theatre, Melbourne<\/span><\/h2>
<\/div>[\/vc_column][\/vc_row][vc_row section_type=”fullwidth” columns_gap=”20″ desktop_visibility=”hide” tablet_visibility=”hide” el_wrapper_class=”home-header-wrapper”][vc_column vertical_content_position=”bottom” width=”1\/6″ css=”.vc_custom_1642830914524{padding-top: 6.5rem !important;}”]
\"theatre\" <\/div><\/div>[\/vc_column][vc_column vertical_content_position=”bottom” width=”5\/6″ css=”.vc_custom_1643433921086{padding-top: 6.5rem !important;padding-left: 0px !important;}”]

The Changeling (2021)<\/span><\/h1>

In association with The National Theatre, Melbourne<\/span><\/h2>
<\/div>[\/vc_column][\/vc_row][vc_row heading_color=”light” section_type=”fullwidth” padding_top_multiplier=”” padding_bottom_multiplier=”” columns_gap=”60″ equal_column_height=”equal-column” font_color=”#ffffff” el_wrapper_class=”home-image-columns” el_class=”three-column-images”][vc_column width=”1\/2″ tablet_width=”1-3″ tablet_sm_width=”1″ css=”.vc_custom_1650281658302{padding-bottom: 70% !important;background-image: url(https:\/\/thisisliminal.com\/wp-content\/uploads\/2022\/04\/changeling-1.jpg?id=471) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” el_wrapper_class=”two-column-left”][\/vc_column][vc_column width=”1\/2″ tablet_width=”2-3″ tablet_sm_width=”hide” mobile_width=”hide” css=”.vc_custom_1650281671451{padding-bottom: 70% !important;background-image: url(https:\/\/thisisliminal.com\/wp-content\/uploads\/2022\/04\/changeling-2.jpg?id=472) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][\/vc_column][\/vc_row][vc_row section_type=”fullwidth” padding_top_multiplier=”” padding_bottom_multiplier=”” columns_gap=”60″][vc_column vertical_content_position=”bottom” width=”2\/3″ css=”.vc_custom_1642826406425{margin-right: 5rem !important;margin-left: 2rem !important;padding-top: 6.5rem !important;}”]

\u2018Your love has made me a cruel murderess\u2019<\/span><\/h2>
<\/div>[vc_column_text]Beatrice-Joanna has fallen in love with Alsemero and yearns to be free of her loveless engagement to Alonzo. In the pursuit of what she craves she turns to the service of a man she hates, Deflores. This sets her on a path to murder, coercion and a confrontation with her inner passions that will change her life forever.<\/p>\n

Isabella has married the man of her dreams Alibius, a doctor who promised her the world. But when he locks her away in his hospital to police her sexuality she is lusted after patients, doctors and fools. Prompting her to question: how is love (or lust) different from madness?<\/p>\n

Two women.
\nTwo worlds.
\nA shared desire.[\/vc_column_text][\/vc_column][vc_column column_custom_position=”yes” position_top=”minus-6x” width=”1\/3″ tablet_sm_width=”hide” mobile_width=”hide” css=”.vc_custom_1650449517131{padding-top: 1rem !important;padding-right: 1rem !important;padding-bottom: 1rem !important;padding-left: 1rem !important;background-color: #e85800 !important;}” z_index=”0″]

\"The <\/div><\/div>[\/vc_column][\/vc_row][vc_row section_type=”fullwidth” padding_top_multiplier=”” padding_bottom_multiplier=”3x” columns_gap=”60″ tablet_sm_visibility=”hide” mobile_visibility=”hide”][vc_column vertical_content_position=”bottom” width=”5\/6″ css=”.vc_custom_1642826406425{margin-right: 5rem !important;margin-left: 2rem !important;padding-top: 6.5rem !important;}”][vc_row_inner][vc_column_inner width=”1\/2″]

Cast<\/span><\/span><\/h2>[vc_column_text]Indy Makka
\nRosa Ablett-Johnstone
\nOswald Breen-Carr
\nRiver Stevens
\nJessica Pascoe
\nLuke Slade
\nMaggie Filor[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″]

Creative Team<\/span><\/span><\/h2>[vc_column_text]Playwright \u2013 Thomas Middleton and Willian Rowley
\nAdaptation and Direction \u2013 Harry Haynes
\nSet and Costume Design \u2013 Juliette Whitney
\nLighting Design \u2013 Nicholas Moloney
\nSound Design \u2013 Anon
\nChoreography \u2013 Damian Smith
\nText and Voice Support \u2013 Margret Mills
\nAssistant Director \u2013 Thomas Noak
\nStage Management \u2013 Cassiel Garwood, D\u2019Artagnan Holt
\nProduction Manager \u2013 Linda Hum
\nTechnical Manager \u2013 Gordon Boyd
\nPhotography – Cameron Grant[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_custom_position=”yes” position_top=”minus-6x” width=”1\/6″ tablet_sm_width=”hide” mobile_width=”hide” z_index=”0″][\/vc_column][\/vc_row][vc_row section_type=”fullwidth” padding_top_multiplier=”” padding_bottom_multiplier=”3x” columns_gap=”60″ desktop_visibility=”hide” tablet_visibility=”hide”][vc_column vertical_content_position=”bottom” css=”.vc_custom_1650449632043{margin-left: 2rem !important;padding-top: 6.5rem !important;}”]

Cast<\/span><\/span><\/h2>[vc_column_text]Indy Makka
\nRosa Ablett-Johnstone
\nOswald Breen-Carr
\nRiver Stevens
\nJessica Pascoe
\nLuke Slade
\nMaggie Filor[\/vc_column_text]
<\/div>

Creative Team<\/span><\/span><\/h2>[vc_column_text]Playwright \u2013 Thomas Middleton and Willian Rowley
\nAdaptation and Direction \u2013 Harry Haynes
\nSet and Costume Design \u2013 Juliette Whitney
\nLighting Design \u2013 Nicholas Moloney
\nSound Design \u2013 Anon
\nChoreography \u2013 Damian Smith
\nText and Voice Support \u2013 Margret Mills
\nAssistant Director \u2013 Thomas Noak
\nStage Management \u2013 Cassiel Garwood, D\u2019Artagnan Holt
\nProduction Manager \u2013 Linda Hum
\nTechnical Manager \u2013 Gordon Boyd
\nPhotography – Cameron Grant[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_wrapper_class=”home-image-columns”][vc_column]
\t
\"The <\/div><\/div>
\"The <\/div><\/div>
\"The <\/div><\/div>
\"The <\/div><\/div>
\"The <\/div><\/div>
\"The <\/div><\/div>
\"The <\/div><\/div>
\"The <\/div><\/div>\t<\/div> <\/div><\/div>[\/vc_column][\/vc_row][vc_row padding_top_multiplier=”3x” padding_bottom_multiplier=””][vc_column css=”.vc_custom_1650695025244{margin-left: 3rem !important;}”]

More from The Liminal Space<\/span><\/span><\/h2>[\/vc_column][\/vc_row][vc_row padding_top_multiplier=”5x” padding_bottom_multiplier=”” columns_gap=”60″ el_wrapper_class=”project-cards”][vc_column width=”1\/3″]
\"Cygnets\" <\/div><\/div>
<\/div>
Theatre in development<\/span><\/span><\/div>
<\/div>

\u2018Cygnets\u2019 \u2013 Developed in association with \u2018Counter Parts\u2019<\/a>
\n<\/span><\/span><\/h4>
<\/div>[vc_column_text]<\/p>\n

You know the story: Helen of Troy. The face that launched a thousand ships.<\/p>\n

You know the story: Clytemnestra of Sparta. Killed her husband in the bath after the war.Now the two sisters are meeting up at the end of everything, to chat, to dance and reminisce on their extraordinary lives and the childhood history never allowed them to have.<\/p>\n

[\/vc_column_text]

<\/div>
<\/i>read more<\/span><\/span><\/a><\/div>
<\/div>[\/vc_column][vc_column width=”1\/3″]
\"Julius <\/div><\/div>
<\/div>
Theatre<\/span><\/span><\/div>
<\/div>

JULIUS CAESAR: A Roman Tragedy (2020)<\/a><\/span><\/span><\/h4>
<\/div>[vc_column_text]<\/p>\n

in association with The National Theatre Melbourne<\/p>\n

Women are sometime masters of their fates\/ The fault, dear Brutus, is not in our stars \/ but in ourselves that we are underlings.<\/p>\n

[\/vc_column_text]

<\/div>
<\/i>read more<\/span><\/span><\/a><\/div>
<\/div>[\/vc_column][vc_column width=”1\/3″]
\"Woyzeck <\/div><\/div>
<\/div>
Education<\/span><\/span><\/div>
<\/div>

WOYZECK + MARIE (2019)<\/a><\/span><\/span><\/h4>
<\/div>[vc_column_text]<\/p>\n

Produced with HYSTERIA at MEAT MARKET
\nMelbourne, Australia<\/p>\n

\u201cHe\u2019s a good bloke. You’re gonna need a good bloke at a place like this.\u201d<\/p>\n

[\/vc_column_text]

<\/div>
<\/i>read more<\/span><\/span><\/a><\/div>
<\/div>[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row section_type=”fullwidth” padding_top_multiplier=”” padding_bottom_multiplier=”” columns_gap=”20″ tablet_sm_visibility=”hide” mobile_visibility=”hide” el_wrapper_class=”home-header-wrapper” section_id=”content”][vc_column vertical_content_position=”bottom” width=”1\/6″ css=”.vc_custom_1642830914524{padding-top: 6.5rem !important;}”][\/vc_column][vc_column vertical_content_position=”bottom” width=”5\/6″ css=”.vc_custom_1642830917572{border-right-width: 150px !important;padding-top: 6.5rem !important;padding-right: 0px !important;padding-left: 0px !important;border-right-color: #006029 !important;border-right-style: solid !important;}”][\/vc_column][\/vc_row][vc_row section_type=”fullwidth” columns_gap=”20″ desktop_visibility=”hide” tablet_visibility=”hide” el_wrapper_class=”home-header-wrapper”][vc_column vertical_content_position=”bottom” width=”1\/6″ css=”.vc_custom_1642830914524{padding-top: 6.5rem !important;}”][\/vc_column][vc_column vertical_content_position=”bottom” width=”5\/6″ css=”.vc_custom_1643433921086{padding-top: 6.5rem !important;padding-left: 0px !important;}”][\/vc_column][\/vc_row][vc_row heading_color=”light” section_type=”fullwidth” padding_top_multiplier=”” padding_bottom_multiplier=”” columns_gap=”60″ equal_column_height=”equal-column” font_color=”#ffffff” el_wrapper_class=”home-image-columns” el_class=”three-column-images”][vc_column… Continue Reading The Changeling (2021)<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":418,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"inline_featured_image":false,"footnotes":""},"_links":{"self":[{"href":"https:\/\/thisisliminal.com\/wp-json\/wp\/v2\/pages\/464"}],"collection":[{"href":"https:\/\/thisisliminal.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/thisisliminal.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/thisisliminal.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thisisliminal.com\/wp-json\/wp\/v2\/comments?post=464"}],"version-history":[{"count":0,"href":"https:\/\/thisisliminal.com\/wp-json\/wp\/v2\/pages\/464\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/thisisliminal.com\/wp-json\/wp\/v2\/pages\/418"}],"wp:attachment":[{"href":"https:\/\/thisisliminal.com\/wp-json\/wp\/v2\/media?parent=464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}