{"id":575,"date":"2022-04-21T03:09:18","date_gmt":"2022-04-21T03:09:18","guid":{"rendered":"https:\/\/thisisliminal.com\/?page_id=575"},"modified":"2022-04-27T04:12:51","modified_gmt":"2022-04-27T04:12:51","slug":"julius-ceasar-2020","status":"publish","type":"page","link":"https:\/\/thisisliminal.com\/works\/julius-ceasar-2020\/","title":{"rendered":"JULIUS CAESAR: A Roman Tragedy (2020)"},"content":{"rendered":"

[vc_row section_type=”fullwidth” padding_top_multiplier=”” padding_bottom_multiplier=”” columns_gap=”20″ tablet_sm_visibility=”hide” mobile_visibility=”hide” el_wrapper_class=”home-header-wrapper” section_id=”content”][vc_column vertical_content_position=”bottom” width=”1\/6″ css=”.vc_custom_1642830914524{padding-top: 6.5rem !important;}”]

\"theatre\" <\/div><\/div>[\/vc_column][vc_column vertical_content_position=”bottom” width=”5\/6″ css=”.vc_custom_1642830917572{border-right-width: 150px !important;padding-top: 6.5rem !important;padding-right: 0px !important;padding-left: 0px !important;border-right-color: #006029 !important;border-right-style: solid !important;}”]

JULIUS CAESAR: A Roman Tragedy (2020)<\/span><\/h1>

in association with The National Theatre Melbourne<\/span><\/h2>
<\/div>[\/vc_column][\/vc_row][vc_row section_type=”fullwidth” columns_gap=”20″ desktop_visibility=”hide” tablet_visibility=”hide” el_wrapper_class=”home-header-wrapper”][vc_column vertical_content_position=”bottom” width=”1\/6″ css=”.vc_custom_1642830914524{padding-top: 6.5rem !important;}”]
\"theatre\" <\/div><\/div>[\/vc_column][vc_column vertical_content_position=”bottom” width=”5\/6″ css=”.vc_custom_1643433921086{padding-top: 6.5rem !important;padding-left: 0px !important;}”]

JULIUS CAESAR: A Roman Tragedy (2020)<\/span><\/h1>

in association with The National Theatre Melbourne<\/span><\/h2>
<\/div>[\/vc_column][\/vc_row][vc_row heading_color=”light” section_type=”fullwidth” padding_top_multiplier=”” padding_bottom_multiplier=”” columns_gap=”60″ equal_column_height=”equal-column” font_color=”#ffffff” el_wrapper_class=”home-image-columns” el_class=”three-column-images”][vc_column width=”1\/2″ tablet_width=”1-3″ tablet_sm_width=”1″ css=”.vc_custom_1650695363214{padding-bottom: 70% !important;background-image: url(https:\/\/thisisliminal.com\/wp-content\/uploads\/2022\/04\/LIMINAL_CEASAR-2.jpg?id=696) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” el_wrapper_class=”two-column-left”][\/vc_column][vc_column width=”1\/2″ tablet_width=”2-3″ tablet_sm_width=”hide” mobile_width=”hide” css=”.vc_custom_1650695328260{padding-bottom: 70% !important;background-image: url(https:\/\/thisisliminal.com\/wp-content\/uploads\/2022\/04\/LIMINAL_CEASAR-1.jpg?id=695) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][\/vc_column][\/vc_row][vc_row section_type=”fullwidth” padding_top_multiplier=”” padding_bottom_multiplier=”” columns_gap=”60″][vc_column vertical_content_position=”bottom” width=”2\/3″ css=”.vc_custom_1642826406425{margin-right: 5rem !important;margin-left: 2rem !important;padding-top: 6.5rem !important;}”]

Women are sometime masters of their fates\/ The fault, dear Brutus, is not in our stars \/ but in ourselves that we are underlings.<\/span><\/h2>
<\/div>[vc_column_text]Julius Caesar, after finally disposing of Pompey, their rival for control of the senate, is on the cusp of absolute power.<\/p>\n

But beneath the charisma is there something darker lurking not just within Julius but also within the men of Rome?<\/p>\n

Five women are navigating their lives, hopes and fears around an all-powerful patriarchy.<\/p>\n

And on March the 15th All of them will find themselves hurled into a direct confrontation with freedom, agency and ego.<\/p>\n

Everything is at stake.[\/vc_column_text][\/vc_column][vc_column column_custom_position=”yes” position_top=”minus-6x” width=”1\/3″ tablet_sm_width=”hide” mobile_width=”hide” css=”.vc_custom_1650449517131{padding-top: 1rem !important;padding-right: 1rem !important;padding-bottom: 1rem !important;padding-left: 1rem !important;background-color: #e85800 !important;}” z_index=”0″]

\"The <\/div><\/div>[\/vc_column][\/vc_row][vc_row section_type=”fullwidth” padding_top_multiplier=”” padding_bottom_multiplier=”3x” columns_gap=”60″ tablet_sm_visibility=”hide” mobile_visibility=”hide”][vc_column vertical_content_position=”bottom” width=”5\/6″ css=”.vc_custom_1642826406425{margin-right: 5rem !important;margin-left: 2rem !important;padding-top: 6.5rem !important;}”][vc_row_inner][vc_column_inner width=”1\/2″]

Cast<\/span><\/span><\/h2>[vc_column_text]Bonnie Roberts
\nJames Till
\nKiara Nickson
\nKenia Labarre
\nLily Johnson
\nRobin Kakolyris[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″]

Creative Team<\/span><\/span><\/h2>[vc_column_text]Writer \u2013 William Shakespeare (in a version by Harry Haynes)
\nDirection \u2013 Harry Haynes
\nProducer – The National Theatre, Melbourne
\nin Association with The Liminal Space
\nSet and Costume Design \u2013 Juliette Whitney
\nLighting Design \u2013 Nick Moloney
\nSound Design \u2013 Anon
\nMovement Direction \u2013 Vince Crawley
\nVoice and Text Support \u2013 Leslie Cartwright
\nProduction Manager \u2013 Linda Hum
\nTechnical Manager \u2013 Gordon Boyd
\nPhotography – Matto Lucas[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_custom_position=”yes” position_top=”minus-6x” width=”1\/6″ tablet_sm_width=”hide” mobile_width=”hide” z_index=”0″][\/vc_column][\/vc_row][vc_row section_type=”fullwidth” padding_top_multiplier=”” padding_bottom_multiplier=”3x” columns_gap=”60″ desktop_visibility=”hide” tablet_visibility=”hide”][vc_column vertical_content_position=”bottom” css=”.vc_custom_1650449632043{margin-left: 2rem !important;padding-top: 6.5rem !important;}”]

Cast<\/span><\/span><\/h2>[vc_column_text]Bonnie Roberts
\nJames Till
\nKiara Nickson
\nKenia Labarre
\nLily Johnson
\nRobin Kakolyris[\/vc_column_text]
<\/div>

Creative Team<\/span><\/span><\/h2>[vc_column_text]Writer \u2013 William Shakespeare (in a version by Harry Haynes)
\nDirection \u2013 Harry Haynes
\nProducer – The National Theatre, Melbourne
\nin Association with The Liminal Space
\nSet and Costume Design \u2013 Juliette Whitney
\nLighting Design \u2013 Nick Moloney
\nSound Design \u2013 Anon
\nMovement Direction \u2013 Vince Crawley
\nVoice and Text Support \u2013 Leslie Cartwright
\nProduction Manager \u2013 Linda Hum
\nTechnical Manager \u2013 Gordon Boyd
\nPhotography – Matto Lucas[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_wrapper_class=”home-image-columns”][vc_column]
\t
\"Julius <\/div><\/div>
\"Julius <\/div><\/div>
\"Julius <\/div><\/div>
\"Julius <\/div><\/div>
\"Julius <\/div><\/div>\t<\/div> <\/div><\/div>[\/vc_column][\/vc_row][vc_row padding_top_multiplier=”3x” padding_bottom_multiplier=””][vc_column css=”.vc_custom_1650695438154{margin-left: 3rem !important;}”]

More from The Liminal Space<\/span><\/span><\/h2>[\/vc_column][\/vc_row][vc_row padding_top_multiplier=”5x” padding_bottom_multiplier=”” columns_gap=”60″ el_wrapper_class=”project-cards”][vc_column width=”1\/3″]
\"The <\/div><\/div>
<\/div>
Theatre<\/span><\/span><\/div>
<\/div>

The Changeling (2021)<\/a><\/span><\/span><\/h4>
<\/div>[vc_column_text]<\/p>\n

In association with The National Theatre, Melbourne<\/p>\n

\u2018Your love has made me a cruel murderess\u2019<\/p>\n

Beatrice-Joanna has fallen in love with Alsemero and yearns to be free of her loveless engagement to Alonzo.<\/p>\n

[\/vc_column_text]

<\/div>
<\/i>read more<\/span><\/span><\/a><\/div>
<\/div>[\/vc_column][vc_column width=”1\/3″]
\"Woyzeck <\/div><\/div>
<\/div>
Theatre<\/span><\/span><\/div>
<\/div>

WOYZECK + MARIE (2019)<\/a><\/span><\/span><\/h4>
<\/div>[vc_column_text]<\/p>\n

Produced with HYSTERIA at MEAT MARKET
\nMelbourne, Australia<\/p>\n

\u201cHe\u2019s a good bloke. You’re gonna need a good bloke at a place like this.\u201d<\/p>\n

[\/vc_column_text]

<\/div>
<\/i>read more<\/span><\/span><\/a><\/div>
<\/div>[\/vc_column][vc_column width=”1\/3″]
\"Life's <\/div><\/div>
<\/div>
Theatre in development<\/span><\/span><\/div>
<\/div>

Life\u2019s A Dream<\/span><\/span><\/h4>
<\/div>[vc_column_text]<\/p>\n

What happens to us when we dream? Where do we go? What is the difference between dreaming and living? Where do we go when we die? Why are so many of our dreams about control?<\/p>\n

[\/vc_column_text]

<\/div>[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row section_type=”fullwidth” padding_top_multiplier=”” padding_bottom_multiplier=”” columns_gap=”20″ tablet_sm_visibility=”hide” mobile_visibility=”hide” el_wrapper_class=”home-header-wrapper” section_id=”content”][vc_column vertical_content_position=”bottom” width=”1\/6″ css=”.vc_custom_1642830914524{padding-top: 6.5rem !important;}”][\/vc_column][vc_column vertical_content_position=”bottom” width=”5\/6″ css=”.vc_custom_1642830917572{border-right-width: 150px !important;padding-top: 6.5rem !important;padding-right: 0px !important;padding-left: 0px !important;border-right-color: #006029 !important;border-right-style: solid !important;}”][\/vc_column][\/vc_row][vc_row section_type=”fullwidth” columns_gap=”20″ desktop_visibility=”hide” tablet_visibility=”hide” el_wrapper_class=”home-header-wrapper”][vc_column vertical_content_position=”bottom” width=”1\/6″ css=”.vc_custom_1642830914524{padding-top: 6.5rem !important;}”][\/vc_column][vc_column vertical_content_position=”bottom” width=”5\/6″ css=”.vc_custom_1643433921086{padding-top: 6.5rem !important;padding-left: 0px !important;}”][\/vc_column][\/vc_row][vc_row heading_color=”light” section_type=”fullwidth” padding_top_multiplier=”” padding_bottom_multiplier=”” columns_gap=”60″ equal_column_height=”equal-column” font_color=”#ffffff” el_wrapper_class=”home-image-columns” el_class=”three-column-images”][vc_column… Continue Reading JULIUS CAESAR: A Roman Tragedy (2020)<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":418,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"inline_featured_image":false,"footnotes":""},"_links":{"self":[{"href":"https:\/\/thisisliminal.com\/wp-json\/wp\/v2\/pages\/575"}],"collection":[{"href":"https:\/\/thisisliminal.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/thisisliminal.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/thisisliminal.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thisisliminal.com\/wp-json\/wp\/v2\/comments?post=575"}],"version-history":[{"count":0,"href":"https:\/\/thisisliminal.com\/wp-json\/wp\/v2\/pages\/575\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/thisisliminal.com\/wp-json\/wp\/v2\/pages\/418"}],"wp:attachment":[{"href":"https:\/\/thisisliminal.com\/wp-json\/wp\/v2\/media?parent=575"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}